Georg Adochi    Michael Bause    Werner Berges    Heinz Bienefeld    Karl Bohrmann    Bolles-Wilson    Holger Bunk    Claus Bury    Max Bächer    Gottfried Böhm    Stephen Craig    Bernd Damke    Mark Dion    Boris Doempke    Maria Eichhorn    Ayse Erkmen    Sir Norman Foster    Galli    Ludger Gerdes    Raimond Hains    Hendrik Hakansson    Erwin Heerich    Heinz Hilmer    Edgar Hofschen    Thomas Huber    Jochem Jourdan    Emilia & Ilya Kabakov    Ellswort Kelly    Zamp Kelp    Per Kirkeby    Josef Paul Kleihues    Stefan Kuerten    Theo Kuijpers    Markus Loerwald    Guenther Malchow    Michel Marceau    Friedrich Meckseper    Richard Meier    Matt Mullican    Max Neumann    Knud Nielssen    Claes Oldenburg    Frei Otto    Nam June Paik    Sigmar Polke    Erich Reuter    Peter Reuter    Gerhard Richter    Fernand Roda    Christoph Sattler    Kiki Smith    Diana Thater    Fred Thieler    Hann Trier    Rosemarie Trockel    Wolfgang Troschke    Oswald Matthias Ungers    Matthias Voelcker    Ben Wilikens    Winter-Hoerbelt    Thomas Wrede    Heimo Zoberning   
The Arch Of My Life Artist! Why didn’t you draw my beautiful rear end? Artist! Why didn’t you draw my rear end? Artist! Why didn’t you draw my rear end? Artist! Why didn’t you draw my rear end? Artist! Why didn’t you draw my rear end? Artist! Why didn’t you draw everything else? Conditional Reflex Print With Dots 1 Print With Dots 2 Print With Dots 3 Ship of SIWA Der Schlaf Der Wind Palace of Projects 1999 Die Karaffe 4 Leporellos zu eigenen Gedichten des Künstlers Der Kelch Center of Cosmic Energy It's impossible to live on earth/ A low flight above the earth How can one change oneself/Encounter with an angel golden apples The decorator Malygin 
 











Titel, Jahr

Palace of Projects 1999, 2003

Technik

Serigraphie/Offsetlithographie, Collagen

Auflage

30, 10 AP, 4 PP

Format

120 x 160 cm, box 135 x 175 x 7 cm

Editeur

mike karstens, Münster


 

“Palace of Projects“ 1999

Kokerei Zollverein Essen, Germany

 

The installation displays and examines a

seemingly commonly known and even trivial

truth: the world consists of a multitude of

projects, realized ones, half-realized ones

and not realized at all. Everything that we

see around us, in the world surrounding us,

everything that we discover in the past, that

which possibly could comprise the future –

all of this is a limitless world of projects.

 

But turning to oneself, thinking about

one’s own life, we, as rule are not sure about

this, we do not discover in ourselves, so it

seems to us, any special project, especially

not a major one which captivates us entirely.

We think that to have a ”project” is most

likely the business of some other, special

people and therefore they are standardly

referred to as ”creative,” or it is in general

some sort of special, extreme state which

requires a special resolve and special personality

traits.

 

But we are convinced, and we try to

demonstrate this in our installation, that the

only way and means to lead a worthy human

life is to have one’s own project, to conceive

it and bring it to its realization. To have one’s

own project, to realize it, perhaps, should be

inherent in every person, the project is the

concentration, the embodiment of meaning of

life, only thanks to it can he establish ”who

he is,” what he is capable of, can he receive

”a name.” It is only from the moment of the

determination of his project that his true

”existence” and not just ”survival” begins.

 

 



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